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The Poetry of Ariel Robello:

Selections from her book My Sweet Unconditional

Published in Los Angeles: Tia Chucha Press, 2005

Available through Amazon.com

 

 

 

Antioch University Los Angeles MFA student Ariel Rubello’s 128 page first volume of poetry is gritty and potent stuff, a volume which demonstrates hers to be a uniquely perceptive observer of the human condition and a powerful emerging poetic voice.

 

Sus Consejos

 

Mama said, “Latin loves don’t last long.”

(stick to your own kind)

She knows how hard

To sleep so good

Too late for her

For me he’s gone

Under my skin another splinter

Under my sheet another crumb.

 

Papa said, “You want a doctor, someone to take care of you.”

(stick to your own kind)

He knows how hard to slap

Brown on white wont’ stick

He knew he’d quit

He knew love lies in my bed

Under my skin

Sticking not stuck.

 

“Stick to your own kind, m’ija.”

I know to last

I must deny love of self

To find my own kind

I know the know what’s best

But still I make my love in mud.

 

 

Carta Personal  provides high octane social commentary.

 

Abuelits’s hands wake me

soft as masa they tell of maquiladora murder

young girls left crumpled, braids cut off

bits of pay slips found under pink nails

they warn of an invisible plague that has invaded my mother

red armies taking over the honest cells.

 

Glaring pixels blind eyes too tired to sleep

as the dial up begins my fingers lament the deserts between us

under each key a child’s skill from the graves of Monzote

under each rock the echo of two 4th graders at war

their scissors still chasing each other around Room 11

with a hate as hungry and open as the Grand Canyon.

 

 

My sweet unconditional,

what of the woman who changed her name to Lola

boarded a Greyhound and crossed state-after-state to see

if she’d make the same mistakes as far from him as she couel get

and what of loves hunted by mosquitoes in Manaqua

Their dark flesh hidden by banana leaves

Depressed breezes flirting with their nipples

will the scars of their scratching show come dawn?

 

What of the screams of the mute

do they leave from the eyes

and do those same eyes extract memory from tears

enough to start a new blue planet

those piercing red layers of granite between us

like the painted wall of Palenque

what amount of dynamite would it take to break into a heart that stiff?

 

My sweet unconditional

there is no one to send these questions to but you

tonight an anonymous brick went through the window of Mr. Lim’s market

landing one shoplifter dead.

My love do curses brand the same in Korean\and if they do where can we market this rage?

There is sadness at 3 a.m. at 4 and 5

there is dawn then duty

Pined to my mattress

tattooed to last night’s neck

spelled to pink crosses along the ravine

our love, an s.o.s. straddled over time.

 

 

 

 

Because it is bitter,
And because it is my heart

 

 

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, "Is it good, friend?"
"It is bitter – bitter", he answered,
"But I like it
Because it is bitter,
And because it is my heart."

- Stephen Crane, 'In The Desert'

 

 

Rumi:

From 'DYING, LAUGHING'-

 

"You've done well," he said, "but listen to me.

All this decor of love, the branches

and leaves and blossoms, you must live

at the root to be a true lover."

                                                "Where is that!

Tell me!"

                "You've done the outward acts,

but you haven't died. You must die."

 

When he heard that, he lay back on the ground

laughing, and died. He opened like a rose

that drops to the ground and died laughing.

 

That laughter was his freedom,

and his gift to the eternal....

 

When light returns to its source,

it takes nothing

of what its illuminated.

 

It may have shone on a garbage dump, or a garden,

or in the center of a human eye. No matter.

 

It goes, and when it does,

the open plain becomes passionately desolate,

wanting it back.

(From 'THE ESSENTIAL RUMI')

 

Insects on Parade

Sir Gawaine Ross

 

Why is it behind these French windows are

Centipedes, wasps, scorpions, and a thousand

Variety of roaches?  One expects fleas

And such outside, not inside this bay room

Apartment, and least of all do we

Expect the sow bugs scuttling under the mousse.

No one feels sorry for lice and mites,

And when they set up a command post

In the attic and start issuing orders

To suck blood and tow cars and then sell them

To the pirates on Main St.

You’ll run for the nearest can of Raid.

The problem is, that now of course,

The lice and ticks have the law on their side.

Even if you go on a  rampage and squash

Their festering fetid bellies beneath your boots,

It’s hardly worth the effort, so quick they are to multiply.

If you call the cops they’ll refer you to the feds

Or rather the army ants who’ll call out exterminators

Who’ll kill the roaches for the sake of glory

And then sell their contracts to the termites.

It’s a racket, and we’re cornered now, and watched.

Just hand me some Quell, will you?

 

 

 

 

 

The Chickasaw Plum  -  Volume II - Number 11 - November 2005

 

 

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