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Molly Peacock: Author of five volumes of poetry as well as other works, is internationally renowned as one of the most outstanding of contemporary poets who writes in forms. She is a member of the faculty of the Spalding University MFA program and also works one on one by contract with poets and writers across the continent. See her website at:  http://www.mollypeacock.org/

         

 

 

The Loop

 

 

To hook a finger in a loop you’ve found

after clawing and clawing at the cloth

of the universe collapsing around you

like a parachute’s vast moth wings,

alive, alive, and smothering until

you drag and pull, thinking your fingerbones

will crack with the effort¾then to fill

your nostrils with air, as the nether zones

of your organs fill with air,

may mean you’ve gripped

the overwhelming¾ the huge, the cloudy,

the suffocatingly monumental ¾

what you yourself may have blown up all

out of proportion and which now like whipped silk

spins at your feet until it vanishes,

leaving you upright, reborn.

You may look the same, but inside, astonished

by what almost crushed you, you begin again.

 

With appreciation to Molly Peacock ÓMolly Peacock June 5, 2003

This poem originally appeared in Boulevard magazine.

 

 

 

 

Ascendant poet Chrys Tobey has been published in most recently Lilies & Cannonballs Review & Viridescent Sea Ms. Tobey, an MFA student at Antioch University Los Angeles, stated that,"When raised in a place such as Cleveland, one often turns either to drinking or some form of art, or both. I turned to writing.” She departed Cleveland at the age of 19 and now resides in Los Angeles.

 

 

Praise Poem For What’s Lost

 

Praise the blood stained toilet,

never quite ivory, nor white,

though never as tainted as the day

my mother’s little boy floated inside,

an empty red pouch, sliding down,

the flush of what was.

 

Praise the gold earring

that shined up from the brown floor. 

 

Praise my mother’s paper thin body,

glued to her worn mattress for two days,

while I finger-painted rainbows,

colored lips red, cheeks pink,

laced ballet slippers around tiny ankles,

and danced under stars and silver moons

pinned to brown cork walls.

 

Praise the green and blue striped sock

that peeked out from floral couch cushions.    

 

Praise the father,

the clock a sun while he’s gone,

laughing, jokes about hookers

and blondes, green bottles of beer,

slices of lime, praise the shots of tequila

sliding down throats.  

 

Praise the key in the door.

 

 

 

The Closet

They put me in the Closet -

Because they liked me “still”-

-Emily Dickinson

 

A woman remodeled herself into a closet.  She liked it this way.  People could make good use

of her. They stored their old golf clubs and hats inside of her.  She was rarely bothered, except

for the occasional sweeping.   

 

The woman paged through porn men hid from their wives.  The woman read love letters as

forgotten as old shoes.  She looked at family photos:  birthdays, vacations, first marriages,

second marriages, third  marriages.  The woman thumbed through bank statements, credit card

bills, stock accounts each night.  This lulled her to sleep.  The woman shut her door on husband’s

fingers & watched their nails bruise black. 

 

“Ah, this fuckin’ closet,” the husbands screamed and kicked the door.  The woman smiled

and  thought of moldy forks.

 

 

--End—

 

 

Alma Luz Villanueva though acclaimed as a novelist and short story writer as well as for her poetry, states that "Poetry for me is the source, the mother tongue...the sun, moon and stars".   She is an instructor in the MFA in Creative Writing at Antioch University Los Angeles. A biography and a comprehensive list of her works is available at:  

 

http://voices.cla.umn.edu/vg/Bios/entries/villanueva_alma_luz.html

 

Ms. Villanueva holds writing workshops from time-to-time in the historic and colorful town of San Miguel de Allende, Mexico and also works with individual students via internet. The web site for the San Miguel workshops- www.sanmiguelworkshops.com  And she can be reached at :

 

Almaluz_villanueva@antiochla.edu

 

 

EAGLE DANCER

 

Indian Market, Santa Fe,

early morning rain, still

damp, all the tribes

gather, clouds gather,

 

light gathers, thunder gathers-

in the plaza CLAN-destine

plays Native rock and roll-

an eagle dancer spreads his

 

wings, wide open, eyes closed,

sweating in the noon sun, he swoops,

he staggers- a 2 year old Pueblo boy

dances with him, he sees the eagle

 

dancing dancing dancing flying-

he reaches out to a young Indian

woman, she sees the eagle dancer,

joins him, turning, twirling, holding

 

him up, the 2 year old boy

dances at their feet, gazing up

at eagles, gathering clouds-

not once do his protective sisters,

 

mother, fear he'll be harmed, letting

him dance with eagle dancer, young

eagle woman (his daughter, sister, lover,

    mother) until the cops come to take

 

him away, drunken Indian, they

didn't see the sacred Eagle Dancer

flying through his clouds, Eagle Woman

at his side. That night the streets in

 

Santa Fe were raging

rivers, lightning piercing sky,

over and over, how he danced

us, the world, new.                                                                                                                            

 

                         August 21, 2004,

                         Santa Fe Plaza

                         As we enter the Fifth Hopi World,

                         the Sixth Mayan World, may we all

                         become eagle dancers, now...

 

                         Alma Luz Villanueva

 

 

 

The Chickasaw Plum  -  Volume III - Number 4 - April 2006

 

 

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